
Portfolio
Welcome to my portfolio this page is not publically listed and is shared directly for artist open calls, grant providers and market stall operators. If you wish to discuss my experience or work further please get in touch. By booking a call back or emailing woodworking@rossballinger.com
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Rosa Festival - Summer 2025
Commissioned by Rosa Festival 2025, a sold-out independent underground music and arts festival in the Peak District.
The brief was open: design and build a seating area and boundary installation around the festival's communal firepit, set within a natural ground depression on site. From that starting point, the project grew into a full creative commission delivered independently across six weeks.
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The installation:
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Three 2.5-metre hand-crafted wooden obelisks forming a ritual perimeter around the firepit, marking its boundary and drawing people in to explore
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The obelisk frames were designed as flatpack structures for practical transportation and on-site assembly, allowing the full 2.5-metre structures to be moved and erected without specialist equipment; an important consideration for an independent festival with limited infrastructure
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Each obelisk featured mirrored tops capturing firelight and reflecting it downward through the structure, illuminating engraved acrylic motifs from within
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Integrated LED lighting complemented the fire reflection across the engraved panels
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Bench seating designed by me and constructed on-site in collaboration with fellow volunteer woodworkers, completing the communal space and giving the installation a practical social function
The lore:
Rather than purely functional structures, I developed a complete original world for the festival built around three fictional tribal communities. Each tribe was rooted in observation of Rosa's real audience demographics; mapping the festival's distinct musical and cultural communities onto characters people could genuinely recognise themselves in:
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The Tribalists: earth-rooted, acoustic and folk-leaning; symbolised by trees, roots, antlers and communal circles
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The Alchemists: psychedelic and experimental; symbolised by moons, hourglasses, portals and shifting forms
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The Technomancers: electronic and techno; symbolised by circuit lines, geometric grids and mirrored recursion
Each obelisk carried the visual language of one tribe as well as shared hidden story of the tribes past, presented through original vector artwork, engraved into wood and acrylic panels. Hidden within the symbols were directional clues guiding observant attendees to a secret visual arts performance in the woodland during the event; turning the installation into an active puzzle for those who engaged closely with it.
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The merchandise:
Alongside the installation, I produced a range of engraved wood and acrylic keepsakes allowing attendees to identify with and signify their chosen tribe. The pieces served as the first material integration of the new Rosa lore into the festival's culture; giving people something to wear and carry that connected them to a larger story still being written. For many attendees it was their first encounter with the tribal system, sparking conversations and drawing people back to inspect the obelisks more closely.
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Reflection:
Rosa is a grassroots event built on genuine community and independent creative ambition, which made it a particularly rewarding project to be part of. The open brief, the collaborative spirit of the volunteer build team, and the freedom to develop something with real conceptual depth; all under significant time pressure, made the delivered result one I'm genuinely very proud of.
With Rosa returning in 2027 and the tribal lore still in its early stages, I'm excited to develop the world further as the festival grows; building on the foundations laid in 2025 and deepening the narrative that attendees are only just beginning to discover. As well as explore other installation opportunities at other community events and organisations.
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Spectrum Woodwright - Current Practice
Spectrum Woodwright is my independent hardwood craft business, founded in Stockport following a period of significant personal and professional difficulty. After experiencing ableism and discrimination while working as an educator.
I made the challenging decision to channel my skills, my values, and my identity into something I could build on my own terms with wellbeing and neurodivergent inclusivity at its core. (Please see my principles tab.)
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The name carries deliberate dual meaning: the spectrum of hardwood species and natural colour I work with, and my identity as an Autistic, ADHD maker. The logo, a rainbow combined with tree rings, holds both of those things at once. Spectrum Woodwright is not a brand that wears its founder's neurodivergence as a footnote; it is foundational to why the business exists and what it is working toward.
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My craft
I work exclusively in solid exotic and domestic hardwoods. No veneers, no dyes, no stains, no imitation materials. Every piece is finished to reveal exactly what it is.
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My current stock spans over 76 species, giving me a genuinely exceptional colour palette to draw from. From the deep violet of purpleheart and arterial red of padauk, through the amber-rose of black cherry and soft pink of eucalyptus, to the stark contrast of wenge against pale maple.
This breadth of material is not decorative background; it is the active creative resource from which new products and artworks develop.
Current and developing product ranges include:
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Kitchen and serveware (end grain chopping boards, exotic hardwood coasters, serving boards; these form the commercial foundation of the brand and fund its growth)
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Wall art and installation pieces (currently in active development, using inlay techniques and the full species palette to move the work beyond functional objects into decorative and collectible territory)
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Personalised and engraved pieces (produced using laser engraving, integrated into the serveware range and available for custom orders)
The community behind the work
I work from Hackspace Manchester, a community workshop space where I have been a member, volunteer trainer and volunteer workshop technician for several years, and where until recently I served as Infrastructure Director; stepping back from that role to focus on Spectrum Woodwright full time.
Hackspace has been central to my own journey of unmasking and genuinely accepting my disabilities, and it remains somewhere I am deeply connected to. The Hackspace community is heavily neurodivergent, and that has shaped how I understand accommodation, belonging and what it actually means to be supported rather than tolerated. That understanding now runs through how I operate at every level.
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Trading at artisan markets across Greater Manchester, Stockport and Cheshire has extended that community further. Being openly Autistic at a market stall is its own kind of quiet visibility, and consistently, it draws people in. Neurodivergent customers, makers and visitors find their way to the stall and share things they would not share elsewhere. That matters to me and reinforces what the business is for.
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My Brands Future
The kitchen and serveware ranges exist to establish the brand commercially and generate the stability to grow into larger, more ambitious work. As that foundation builds, the plan is to take on custom commissions and larger installation projects, hiring freelance neurodivergent collaborators for those commissions and creating genuine paid opportunities within my community as the business scales.
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The longer ambition is for Spectrum Woodwright to establish a Community Interest Company: a dedicated workshop space, designed by and actively for neurodivergent people, offering:
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Woodworking apprenticeships and structured employment pathways
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A launchpad and accelerator for neurodivergent makers wanting to work in hardwood professionally
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A space where accommodation is built in rather than negotiated for, and where the community shapes what the workshop becomes
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Phoenix Engravers - Origin (2015-2017)
Phoenix Engravers was my first business, founded when I was 15 years old. Operating from 2015 to 2017, it was built around personalised laser engraving on hardwood and bamboo chopping boards and homewear.
Offering customers free personalised messages and custom engraving.Alongside a range of pre-engraved pieces carrying my own original designs and phrases, centred primarily around food, humour and wordplay.
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The business traded at markets and online, reaching customers across 11 countries on three continents. I closed it in 2017 to pursue a degree in Industrial Design and Technology at Brunel University London, where I graduated with a first class honours degree.
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In 2016, Phoenix Engravers was selected to enter the National Market Traders Federation Young Trader of the Year competition, the UK's foremost recognition for emerging market traders under 30. The competition was hosted in Manchester city centre, and I'm very proud to say I secured first place.
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Being 16, trading in personalised hardwood homewear, and winning a national competition validated a passion for design/woodwork. Phoenix Engravers is the direct origin of Spectrum Woodwright. My commitment to honest artisan manufacturing runs as a continuous thread across over a decade of making.

































